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ARFLEX HALL DIVANO

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ARFLEX HALL SOFA

Roberto Menghi We are at the end of the ‘50s : an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection. Hall armchair receives in 1959 the honourable mention for the “Compasso d’Oro”.

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ARFLEX BOTOLO POLTRONA

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ARFLEX BOTOLO ARMCHAIR

Cini Boeri Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the living at a low level", a way of living and sitting on the ground. In the legs there are wheels to move easily.

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ARFLEX ALGON POLTRONA

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ARFLEX ALGON ARMCHAIR

Luca Nichetto Algon is a series of armchairs with an embracing shape, that offer intimacy and privacy to the person they welcome.

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ARFLEX CRADLE POLTRONA

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ARFLEX CRADLE ARMCHAIR

Neri&Hu Its characteristic is based on the structure: a classic triangular construction, which is repeated several times around the model, so that you can admire it from each point of view.

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ARFLEX BUTTERFLY POLTRONA

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ARFLEX BUTTERFLY ARMCHAIR

Mauro Lipparini The design of Butterfly armchair plays on the combination of the shapes and materials that compose it.

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ARFLEX DELFINO POLTRONA

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ARFLEX DELFINO ARMCHAIR

Erberto Carboni Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

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ARFLEX CROSS POLTRONA

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ARFLEX CROSS ARMCHAIR

Marcello Cuneo The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.

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ARFLEX FIORENZA POLTRONA

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ARFLEX FIORENZA ARMCHAIR

Franco Albini Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upholstered furniture.

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ARFLEX ELETTRA POLTRONA

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ARFLEX ELETTRA ARMCHAIR

B.B.P.R. A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

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ARFLEX GIULIETTA POLTRONA

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ARFLEX GIULIETTA ARMCHAIR

B.B.P.R. B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance. With this model it won the cover of the magazine Domus (no. 372 – November 1960).

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ARFLEX KATRIN POLTRONA

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ARFLEX KATRIN ARMCHAIR

Carlo Colombo The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dress.

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ARFLEX HUG POLTRONA

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ARFLEX HUG ARMCHAIR

Claesson Koivisto Rune The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

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ARFLEX HALL POLTRONA

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ARFLEX HALL ARMCHAIR

Roberto Menghi We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection. Hall armchair receives in 1959 the honorable mention for the Compasso d’Oro.

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ARFLEX MOJO POLTRONA

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ARFLEX MOJO ARMCHAIR

Claesson Koivisto Rune "Mojo" is a type of magic charm, the word originates from Africa, where it means "soul" or "life-force", on which the design of this armchair is based.

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ARFLEX LEAFO POLTRONA

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ARFLEX LEAFO ARMCHAIR

Jaime Hayon The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.

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ARFLEX LADLE POLTRONA

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ARFLEX LADLE ARMCHAIR

Luca Nichetto It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very different spaces and atmospheres.

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ARFLEX TELLIN POLTRONA

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ARFLEX TELLIN ARMCHAIR

Luca Nichetto Tellin armchair has the elegant appearance of a welcoming open seashell. Two “valves” meet and merge by overlapping so to compose the seat and the backrest.

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ARKETIPO BELAIR POLTRONCINA

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ARKETIPO BELAIR ARMCHAIR

Dainelli Studio Set aside the name and everything that it conjures, and you are left with a chair that is the design brief few would ever accept, but yearn to attempt. Belair thus, is the design lovers' dream, one who wants to experiment with contrasts and materials, one who feels that more can be done with raw design and one who feels that the art of...

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ARKETIPO BOND POLTRONCINA

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ARKETIPO BOND ARMCHAIR

Dainelli Studio Bond, a name that serves. If ever a name could conjure an image of unabashed coolness, Bond would be it. A name that for 60 years has represented what it means to be seen, and what it feels like to be paid attention towards. Bond thus, is a statement of our mind, a perception of what we search for in ourselves if we could be the things we...

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ARKETIPO GOLDFINGER POLTRONCINA

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ARKETIPO GOLDFINGER ARMCHAIR

Dainelli Studio A first glance at this armchair and you would be forgiven if your mind didn't take you to some elaborate film set, then again, it looks like it would belong in such a place. The only stirring happening here is that of emotions, those that appreciate what design can conjure when given time to develop. Goldfinger is a versatile armchair with...

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ARKETIPO FREEDOM POLTRONCINA

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ARKETIPO FREEDOM ARMCHAIR

Giuseppe Vigano' Freedom, a basic right in design and beyond. We live in a time where freedom has never been more discussed. Where the possibility to express, to choose, to live a life you wish to have without any kind of associated reason. Freedom is what we crave on our psychological, spiritual and physical level. It's why our latest design from...

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ARKETIPO JUNO POLTRONCINA

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ARKETIPO JUNO ARMCHAIR

Mauro Lipparini Maybe it's the metallic feet and three-dimensional forms, or maybe it's the zip that brings everything together around the perimeter, or maybe it's that Juno's design is one that always leave you asking questions around how something so small, could be so beautiful? From the contrasting colours and materials to the padding in and around...

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