Dining

Showing 49-59 of 59 item(s)

CLASSICON DOUBLE X TAVOLO

Tables

CLASSICON DOUBLE X TABLE

Eileen Gray The timeless classics signed ClassiCon are works of art forever. Double X has support in the form of X, which give a high rigidity and a unique cut. Eileen Gray since 1973 has granted worldwide rights to manufacture and distribute its designs to Aram Designs Limited London. The Museum of Modern Art has added his legendary Adjustable Table E...

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CLASSICON PALLAS TAVOLO

Tables

CLASSICON PALLAS TABLE

Konstantin Grcic Pallas is a table designed by Konstantin Grcic for Classicon designer brand. Made of 4 mm thick steel sheet. Powder-coated. Available in various finishes. Dimensions: L. 240 cm - P 75 cm - H. 72 - L. 300 cm - P 75 cm - H. 72 cm. The beautiful and colorful Pallas brings style, elegance and joy in the spaces it occupies. It has all the...

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CLASSICON MUNICH TAVOLINO

Tables

CLASSICON MUNICH COFFEE TABLE

Sauerbruch Hutton The table was designed by the Munich designer Sauerbruch Hutton for Classicon brand. solid wood frame, painted clear or stained black. Glass table top with rounded edges. Modern art of the 20th and 21st centuries deserves an appropriate setting, with a building and its furniture that is just as modern. The Berlin architects Sauerbruch...

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CLASSICON PLI TAVOLO

Tables

CLASSICON PLI TABLE

Victoria Wilmotte Pli is a dining table that completes the same-name collection designed by Victoria Wilmotte for the brand ClassiCon, with base made of folded, high-gloss polished stainless steel sheet and oval tabletop made of crystal glass, colour-lacquered in its centre or fully colour-lacquered. The Pli Table serie brings objects of unusual...

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GIORGETTI AGO TAVOLO

Tables

GIORGETTI AGO TABLE

CARLO COLOMBO A light and minimal trait that is evident in the highly elegant design and the combination of materials. The legs, made of solid canaletto walnut, recall the shape of a sewing needle, while the top is available in all the marbles of the collection or in plywood veneer with edge in solid canaletto walnut.

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KRISTALIA DUA SEATS

Sedie

KRISTALIA DUA SEATS

Läufer & Keichel The Berlin-based studio Läufer & Keichel has designed a chair and armchair for Kristalia with soft, embracing lines. The name recalls the number two, which recurs throughout the project starting with the two elliptical surfaces of the seat and backrest, which wrap sensually around the body.

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KRISTALIA HOLO PILLAR TABLE

Tables

KRISTALIA HOLO PILLAR TABLE

Kensaku Oshiro Is there really a hole or not? Everything might lead you to think otherwise, and yet a hole has a shape and occupies space, just like an object. When Kensaku Oshiro was asked to design a round version of the iconic Holo table, he returned to that very void—its oval form—and used it as the foundation for creating a new support base for the top.

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KRISTALIA RAMA WOOD SEATS

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KRISTALIA RAMA WOOD SEATS

Ramos Bassols The Rama chair, designed by Ramos Bassols, finds new expressiveness in the natural warmth of wood. Almost a capsule collection within the same-named collection.

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KRISTALIA OOPS WOOD TABLES

Tables

KRISTALIA OOPS WOOD TABLES

Monica Graffeo Designed by Monica Graffeo in 2006, Oops is an extendable table that combines a sleek aluminium base with a 50mm thick lacquered top, capable of transforming from round to elliptical, an aesthetic and technical innovation that makes it perfect both open and closed. In 2016, the collection expanded with the Oops I Did It Again range, which...

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KRISTALIA MEM SOFT SEATS

Sedie

KRISTALIA MEM SOFT SEATS

Christophe Pillet Christophe Pillet reworks the original Mem chair by softening its geometric lines with plush upholstered padding. The result is Mem Soft, a contemporary and minimalist bucket chair that retains the original polypropylene frame, still visible beneath the generous seat.The non-removable upholstery is available in all fabrics and leathers...

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GIORGETTI – G-CODE TAVOLO

Tables

GIORGETTI – G-CODE TABLE

Designer Dante O. Benini e Luca Gonzo 2023 The concept started from a flight to the US, looking at the brush in the vanity kit, the kind that closes. I imagined that it could become the structure on which a top rests. The idea was that of an architecture, with this brush becoming the supporting beam of a large plane. —Dante O. Benini

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