Agapecasa

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AGAPECASA ECCENTRICO TABLE

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AGAPECASA ECCENTRICO TABLE

The Eccentrico table, designed by Angelo Mangiarotti in 1979 and reissued by Agapecasa, is a marble design masterpiece that explores the concept of the gravity joint. Its defining feature is the elliptical tabletop, which is asymmetrically embedded into an inclined cylindrical leg; the weight of the top, combined with the eccentricity of the joint,...

AGAPECASA COMPENSATO SIDE TABLE

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AGAPECASA COMPENSATO SIDE TABLE

Compensato, designed by Angelo Mangiarotti for Agapecasa, is a side table that celebrates constructive mastery and the innovative use of materials. Made entirely of curved birch plywood, the table is distinguished by an extremely lean and linear structure, in which the curved angular elements of the legs lend momentum and a refined lightness to the...

AGAPECASA EROS ROUND TABLE

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AGAPECASA EROS ROUND TABLE

Eros, designed by Angelo Mangiarotti in 1971 and reissued by Agapecasa, is an iconic system of marble tables that represents a milestone in the research on gravity joints. The round table is characterized by the coupling between the tabletop and the truncated-cone base, achieved without any mechanical joints or fasteners: the shape of the support itself...

AGAPECASA ASOLO TABLE

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AGAPECASA ASOLO TABLE

Asolo, designed by Angelo Mangiarotti in 1981 and reissued by Agapecasa, represents the third milestone in the master's research on gravity joints, evolving the concepts expressed with Eros (1971) and Incas (1978). The table is distinguished by the extreme thinness of its forms: the tabletop features two "slots" (hence the name, which means "eyelet") into...

AGAPECASA COMPENSATO TABLE

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AGAPECASA COMPENSATO TABLE

Compensato, designed by Angelo Mangiarotti in 1953 and reissued by Agapecasa, is an iconic collection of tables made of birch plywood. The system is distinguished by the use of thin elements that, thanks to the curvatures to which they are subjected, stiffen, providing stability and resistance to an extremely lean structure. The characteristic tapered...

AGAPECASA CLUB 44 CHAIR

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AGAPECASA CLUB 44 CHAIR

Club 44, designed by Angelo Mangiarotti and Bruno Morassutti in 1957 for the cultural center of the same name in La Chaux-de-Fonds (Switzerland) and reissued by Agapecasa, is a chair with an architectural and rigorous character. An evolution of the Cavalletto system, the chair is distinguished by a solid plywood structure (birch or poplar), characterized...

AGAPECASA CLIZIA CHAIR

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AGAPECASA CLIZIA CHAIR

Clizia, designed by Angelo Mangiarotti in 1990 and reissued by Agapecasa, is more than just a chair: it is a true sculptural seat, characterized by sinuous, fluid lines and evident plastic value. The seat is formed by a cantilevered plane supported by a single central stand. The production process is a masterpiece of optimization: each pair of seats is...

AGAPECASA SK207 ROUND TABLE

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AGAPECASA SK207 ROUND TABLE

SK207, designed by Angelo Mangiarotti in 1959 and reissued by Agapecasa, is a round table that represents a sculptural work of art, masterfully combining engineering and design. The distinguishing feature is the conical bronze base, created using the ancient and refined technique of lost-wax casting — usually reserved for artistic sculpture — with a...

AGAPECASA MORE TABLE

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AGAPECASA MORE TABLE

More, designed by Angelo Mangiarotti in 1989 and reissued by Agapecasa, represents the final and conceptually most advanced evolution of a twenty-year research project by the master on gravity joints, already explored in the famous Eros, Incas, and Asolo models. Unlike its predecessors, which used stone supports, More introduces steel legs (truncated-cone...

AGAPECASA M ROUND TABLE

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AGAPECASA M ROUND TABLE

The M table, designed by Angelo Mangiarotti in 1969 and reissued by Agapecasa, is a design icon that marks a fundamental moment in the master's career: it is indeed his first project in which marble is used for the creation of furniture intended for the home environment. The structure is made entirely of marble and is characterized by a turned central...

AGAPECASA CAVALLETTO MODULAR BOOKSHELF

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AGAPECASA CAVALLETTO MODULAR BOOKSHELF

Cavalletto, designed by Angelo Mangiarotti in 1953 and reissued by Agapecasa, is an iconic and timeless modular bookshelf system. Its distinguishing feature is the "cavalletto" (easel) module with its characteristic upside-down V shape, which can be stacked vertically thanks to a simple gravity joint. These supporting elements accommodate shelves or...

AGAPECASA LOICO BOOKSHELF

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AGAPECASA LOICO BOOKSHELF

Loico, designed by Angelo Mangiarotti in 1987 and reissued by Agapecasa, is an imposing modular bookshelf made entirely of marble. The system consists of cylindrical stackable supporting elements and shelves that are fixed to them through special joints, allowing for great modular flexibility in both height and width. To balance the natural weight of the...

AGAPECASA CAP53 VASE

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AGAPECASA CAP53 VASE

CAP53, designed by Angelo Mangiarotti in 1961 and reissued by Agapecasa, is a refined collection of vases, containers, and centerpieces made of bronze. They are created using the ancient and prestigious technique of lost-wax casting — typical of artistic sculpture — followed by turning and polishing. The design of the pieces is based on a simple geometric...

AGAPECASA TRE 3 CHAIR

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AGAPECASA TRE 3 CHAIR

Tre 3, designed by Angelo Mangiarotti in 1978 and reissued by Agapecasa, is a seat characterized by an innovative three-legged structure. The configuration features two lateral front legs and one central back leg, united by a solid T-shaped transverse structure, which guarantees the same stability as a traditional four-legged chair. The distinguishing...

AGAPECASA INCAS TABLE

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AGAPECASA INCAS TABLE

Incas, designed by Angelo Mangiarotti in 1978 and reissued by Agapecasa, represents the evolution of the famous Eros system. While Eros is characterized by curved forms and circular couplings, Incas translates the same constructive intuition of the gravity joint into a square and geometric form. It consists of square tabletops and truncated-pyramid legs...

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